My experimental animated short entitled, “Drive Thru Nation,” looks at how the prominence of the flag in the Midwest echoes the visual advertising language of billboards, carnivals, casinos, supermarkets, and drive-ins. They each share an animated energy and playful geometry while stretching towards the sky. These outdoor patchworks of color compete for space and attention. I considered how their appearance across small towns and cities alike render them as products of mass production and pop-culture. This repetition creates an almost-neutral effect. I consider how individuals consume the flag and signs as passengers during their commute. This method of engagement becomes a very drive-by way of experiencing culture. It is not until people, brands, movements, and cultures are attached to them that flags or signs are charged with meaning. I sought to define the difference between patriotism and nationalism, wherein patriotism promotes the welfare of all and nationalism can be skewed towards reduced levels of internationalism, social dominance, prejudice, and militarism. This film was made in the midst of the COVID-19 pandemic. I endeavored to reclaim the concept behind the flag to champion unity and inclusion.